The earliest traces of the appearance of pottery in Sicily can be traced back to the Neolithic<\/strong>, the period of greatest development of ceramic work, along with the Greek period. A ferment that diminished considerably during Roman and Byzantine rule only to resume vigor with the Arab conquest in 827, which revolutionized the style, forms, decorations, and, in particular, the techniques of workmanship. In fact, it was the Arabs<\/strong> who brought to Sicily the technique of lead<\/em>glazing<\/em> of pottery, learned in Persia, Syria and Egypt, which consisted of coating ceramic objects with substances capable of vitrifying when fired.<\/p>
\n Among these, the key element is definitely silicon, which can melt at high temperature and give color to ceramics, allowing, in addition, to waterproof vessels.<\/p>
\n In the second half of the 14th century, with the rise of Spanish<\/strong> rule, new colors were introduced, such as blue juxtaposed with yellow, green and manganese. Renaissance influences continued until the early 17th century, particularly in Palermo, Messina and Syracuse.<\/p>
\n Here, local industries imitate the majolica of Venice, Cafaggiolo and Faenza, the first to be known on the island. It stands out, over the whole island, the Palermo production, with the beautiful oval vases that are based on Siculo-Muslim vases. The dominating color is ashen blue, which in the eighteenth century will become deep blue, until it becomes blue, with motifs that take up peacock feathers, plant decorations, which will later become relief decorations.<\/p>
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